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| half life . . .
women are a beautiful torment, but it’s men who break my heart |
| waving imperiously
at the after hours party, he says, “you’ve been a bad boy, go to my room!” |
| male colors . . .
dark and light, brown and yellow, legs and arms entwined and the rumble of his sleep |
| his burlap skin
washed by the diamond waters, and everywhere, jellyfish in bloom |
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| tight blue jeans—
I hate to see him go, but I love to watch him walk away |
| for Jayson streetlights shining through the branches, my lover chases about the room pup yapping at his heels |
| a man should have
hair long enough to tangle so he understands his lover’s heart |
| I wanted to argue,
but the sandpaper of his jaw was more than my lips could resist |
| like a woodpecker
he hammers away at my resistance, but I have no succulence to share with him |
| how am I
to know what I am without the mirror of your disapproval? |
| a cowboy
as broken as his horse, the sunset far from his reach |
| the ferris wheel
with empty seats goes around again; I check my watch another time |
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| you'd think
as old as I am, this youth desiring me would delight, but— performance anxiety |
| for Sean, a sequence... |
| dawn on
another continent; still this young man keeps me company tonight |
| there is nothing
quite so delightful as someone eager to learn all my vices |
| Persian carpet,
my denim leg over your bare one, my book resting against your back |
| his relatives don’t like him,
so he tells them that he’s sleeping with a famous male poet twice his age |
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| for Orestes, a sequence... |
| let it sing,
this kite string that tugs at the earth and pulls all passion with it |
| stormcloud eyes
man of my passion catch my lightning answer me with your thunder |
| Mardi Gras Indian,
let's snake our way along Bourbon Street to the sound of red jazz and black drums |
| ah black man,
it’s not your affability my hands explore— come a little closer that I may know you better |
| sing to me with
the sweet angel voice that I heard in the church of blessed love |
| shatter the vase
and let the dust motes scatter, let them break like hearts at the end of a kite string |
| there,
in the yellow sunset, two kites dance, one red, one black |
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| it is no woman
this moon of men sailor in the great sea of longing |
| it’s a lonely feeling,
wanting to hold his hand and walk through the art museum |
| this man of mine
I suppose I’ll never meet he is the stuff of dreams and wishes in a winter house |
| i don’t want
to move heaven and earth, just the heart of a man |
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| for Eli i miss the thrumming of his great heart, skin stretched tight over a small frame bursting with intelligence |
| winter day—
the crispness of the celery as I prepare to dine alone |
| on a winter morning,
small things take on unusual importance: hand lotion, toilet paper, forgotten lovers . . . |
| woodsmoke
on a rainy day— isn’t love enough? another gay marriage ban |
| M. Kei Love Letters: Homoerotic Tanka of Love and Friendship A 3LIGHTS Presentation Curator: Liam Wilkinson Poems © M. Kei, 2008 Artwork © Liam Wilkinson, 2008 All rights reserved. Credits "half life" : Modern English Tanka, 1:2. Baltimore, MD: Modern English Tanka Press, Winter, 2006. "His burlap skin" : Modern English Tanka, 1:2. Baltimore, MD: Modern English Tanka Press, Winter, 2006. "Persian carpet" : Gusts : Contemporary Tanka. #6. Lethbridge, Canada: Tanka Canada, 2007. "Mardi Gras" : Tangerine : A Tiny Tanka Chapbook, 2007 "it is no woman" : Simply Haiku, 5:1, Spring, 2007. "it's a lonely feeling" : ‘Stone Amid Water Weeds,’ Lynx, a journal for linking poets. June, 2007. "i don't want" : Heron Sea, Short Poems of the Chesapeake Bay. Perryville, MD: M. Kei, Publisher, 2007. "woodsmoke" : Tangerine : A Tiny Tanka Chapbook. Perryville, MD: M. Kei, Publisher, 2007. |
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